11"x15". Watercolour. ~2016
A variety of hands of different gender and age, grasping and reaching, as some suggest, for life force from the blood running through the scene. The finger tips on some hands are frost bitten. The colours for the skin tone are taken from the bi flag, but the background is complementary and revitalizing. The artwork is signed in the corner with pencil.
I'm excited to say I am working on two new oil paintings. It's been... about 6 whole years since I've done a large-scale oil painting. It's because we have our new studio space in our apartment, which is better equip for ventilating the fumes, the scale, and capturing splatter. I don't have any pictures of our old "studio" online, but it was essentially a tiny corner next to our bed. So. Much. Improvement. In all aspects of my life... everything is just much better. A post shared by Karolina Szablewska (@art.karolina) on Dec 4, 2016 at 7:58am PST The past year or more, my focus was to create…more
9"x12", watercolour on 140lb watercolour paper. Observational sketch on-location of The Bay store from across the street in a park full of street vendors in downtown Montreal, Quebec, Canada. ~2016
9"x12", watercolour on 140lb watercolour paper. Observational painting of a specific entanglement of trees in Dorchester Park, off Peel Street in Montreal. Several groups of people occupied the benches just long enough to be painted. ~2016
16"x20" watercolour on Fabriano watercolour paper, created July 2016, signed and dated on painting and in margin.
This is a commissioned piece for a couple who are hobbit fans.Veronica and Juan are the couple pictured as hobbits leaving their hobbit home on a sunny afternoon for a walk. A quiet brook, lush greenery, lavender flowers, round red mushrooms, surrounds their home meanwhile other hobbit homes are visible in the distance. They are hand in hand, happy in each other's company.
To save ruining a surprise, I had to wait to post about my latest commission until the birthday passed. It was really hard. Taking the tape off the edges, seeing the final painting with crisp, white borders... it was very hard not to post it instantly. Now that the painting is out of my hands, the excitement died down... kind of like a break-up. One sad aspect of commissioned work is I don't really get to spend much time with the image afterwards, and I would argue one of the most important things an artist can do is reflect on their work after completing it. Definitely interested in doing mor…more
At this point, I am undecided whether or not I'll keep a separate blog now that I have an Instagram page that literally fills the void and I can talk to people directly through my site, Facebook, or my newsletter (sign up). So, here's my first work-in-progress post. I started this drawing when I was feeling really sad. Sadly, most of my inspired ideas come when I am in the worst mood. This was an overwhelming image in my imagination of just thousands of hands grasping and reaching for something, failing, and tearing each other apart. Slowly over the course of…more
30"x22". Ink on Arches watercolour paper. NSCAD Foundation Drawing II Project No. 4 - Perspective in a fantasy landscape. Modeled after the granary elevators by the ViaRail station in Halifax. ~ 2008
18"x24". Pencil and white acrylic on cartridge paper. Representative of the festival held in Kaltenburg, Germany to celebrate medieval heritage. It brings 120,000 visitors a year, and includes a variety of music performances and medieval markets. This is inspired by one of its costumes. (Source: CBC World) Severely damaged. ~ 2007
24"x18". Willow charcoal, prisma colour pencil, white watercolour paint on acid free pastel paper. NSCAD Foundation Drawing II Project No. 2 - landscape, where a feature is replaced by popcorn. ~ 2008
Here is my latest new watercolour. It's an image based on a photo I took of Montreal just as spring was around the corner while I was dropping my last watercolour off for the exhibition. It's quite rare to go up on Mont Royal and look through the trees while they bare no leaves; it was somewhat jarring. The blueness of the shadowy trees in contrast to basically my last painting, as I saw it in my head in that moment, was my inspiration for this image. This was a difficult painting: colours couldn't overlap, twisting shapes, detailed buildings to pencil, hours of penciling, mistakes with colour…more
It is amazing what places are hidden in Montreal. This is the first time I've visited the greenhouse at the Westmount Library, which is free and open to that public, alongside the USK: MTL group. We were figuring out where to go, and this turned out to be the perfect place because it was sunny and warm and full of cheerful greenery that is a rare sight in the winter. Steadily, I drew and painted with my pencil and watercolours for 3.5 hours. It is a daunting task painting a curved architectural interior with a multitude of plants and with a liquid medium.
I am both ha…more
I hope everyone is taking a moment to reflect on their 2014. I know I've accomplished a lot this year, and I am very proud of myself. Everything from starting up our business, finishing so many comics, working in television, writing major proposals, attending the Montreal Comic Con twice... it's hard to say I did nothing. Oh yeah, I forgot - I learned a new language. Well, almost - still working on that one.What do you aim for next year? Aside from all the typical things we wish for (ie. lose Christmas fat), I am aiming to make twice as much doing my creative work and pushing closer towards ha…more
Fanart for Avatar Korra and the show's finale that left and very open ending, suggesting the two main female characters are queer and romantically involved. Watercolour & ink, bristol paper. ~2014
Acrylic on stretched canvas, no frame with mounting wire. 22"x28". ~2014
A repainting of a ballerina I originally painted as a commission when I first started painting.